All designers brought their A-game on. Trends broke; some sustained from 2014, however, the vibrant, cheerful colours for which Africans are known, remained a recurrent decimal. There was no doubt that the aim of the organizers which is to promote and showcase the best of Africa’s emerging designers was achieved.
But beyond catwalks,
one of the interesting things that happened with the show was what the event
did for the people. The show daily attracted Africans in the Diaspora and their
friends who came to have a feel of the continent and to savour their roots. Young
British born Nigerians, Ghanaians, Ivoirians, and other nationals turned up in attires
that either depicted their ‘Africaness’ or attempted to do so. Young girls came
in Ankara shirts, Ankara skirts, dresses, or head pieces and other accessories
like sandals, bangles, turbans, bags fashioned out of popular Africa prints
like Aso oke, Kente, adire, Ankara, etc
Those who didn’t have
to wear made quick purchases from the various exhibitors who displays summer
dresses crafted from African fabrics. Food vendors were also on hand to sell
the rich delicacies from Nigeria. Attendees were treated to sumptuous meals
like edikainkon, jollof rice and dodo, rice and ofada stew, etc. there was also
entertainment dominated by songs by Nigerian artistes.
The efforts of Africa
Fashion Week London team led by Ronke Ademiluyi, was quite inspiring for both
Nigerians and non Nigerians who graced the 5th edition of the show. It
evokes love for country, culture, fashion and lifestyle.
But as the show came
to a close on the last day, I was standing tall in my heart for the Nigerian
fashion house called Needle Point who closed the show with a brilliant, well
thought out of collection and expectedly executed on the runway.
For a show that cost
well over $100,000 to execute and one that put Nigeria in good light, not a
penny came the way of the organizers and designers from the Nigerian government
coffers. Everything was though private and self initiative. Our designer was
self sponsored hoping perhaps to have the good fortune of getting the attention
of international fashion buyers. Yet, the fashion industry in Nigeria, just
like their music and movie counterparts have helped in putting Nigeria in good
light and stead more than government with all their financial might have been
able to do.
This was not the case
with the South African continent to the event. Unlike their Nigerian counterparts
who had to pay her way, 20 South African designers were sponsored to the show
by their Department of International Tourism. The KZN Fashion Council, South
Africa Collective, justified government’s financial backing with a spectacular
outing that brought day one to a dramatic close. It was a culture walk on the
catwalk as they showcased a collection that showed off the richness, and splendor
of their country; a rich display of traditional costumes full of vibrant colour
and more colours, portraying the very soul not just of the Zulu Kingdom but of
the Africa continent. They finished off to the envy of all while their kinsmen
cheered from all angles of the venue.
“This is what we want
government to replicate” says Ronke Ademiluyi who lamented the lack of
sponsorship from government and corporate bodies. “We would advocate for
sponsors for the initiative not for us but for designers because it promote
Africa in a positive light; the designers, the talents and there isn’t any
other platform that supports Africa in the whole of Europe” she says
The lesson from the African
Fashion Week London is clear. Nigeria with an established fashion industry,
currently, producing countless young designers who are all making waves both at
home and abroad, deserves a fashion council. In fact, they are overdue for one.
Such initiative in other fashion capitals, across the globe, help to push for
the interest of designers in their various countries. The South Africa example
is commendable. The recent launch of N1bn for the fashion industry in Nigeria by
the Bank of Industry is also commendable. This kind of initiative will help
designers expand their businesses and build production hubs.
Across the globe, the
fashion industry is worth over $1 trillion. Nigeria needs to key into this. But
more importantly when designers like Needle Point, Deola Sagoe, Frank Osodi,
Tiffany Amber grace international catwalks, they not only go to promote their
designs but the country they represent.
Fashion promoters
like Ronke Ademiluyi, Lexy, Mojo Eyes, and Omoyemi Akerele deserve to be encouraged.
This is how fashion is done in other developed countries of the world.
-Jemi Ekunkunkor writes
from London
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